Protocol: A Guide to the Collegiate Audition Process for Double Bass

Simandl (composer), Hrabe (composer), Vivaldi (composer), Vance (editor), Clark (editor), Bartolo (editor), et al.
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Instrumentation

  • Double Bass
  • Piano
SKU
BF58
Providing useful reference and audition material for college-bound string players, the Protocol series was created by college/university music educators and include the most frequently requested audition requirements from many universities. Not only does it help build a player’s repertoire, but it also exposes students to the expectations of the audition process, creating a comfort level that allows for the best audition possible. Students will go into their auditions completely prepared with help from this series.
SKU: BF58
Publisher: Carl Fischer Music
Product Type: Methods and Studies
Accompanied: Unaccompanied Solo
Weight: 0.5 lbs.
UPC: 798408082741
ISBN: 9780825882746
Foreword by Joel DiBartolo
Preface
About Joel DiBartolo
About Larry Clark and Daniel Schmidt
How to Use This Book
How to Take an Audition
Ear-Training and Music-Theory Placement Exams
Considerations for Choosing an Institution
Repertoire Included on Most Lists of Required Audition Material
Major Scales and Arpeggios
Chromatic Scale
Minor Scales and Arpeggios
Badinerie from Orchestral Suite No. 2 in B minor, BWV 1067 — Johann Sebastian Bach
Symphony No. 40 in G minor, K. 550 (movement I) — Wolfgang Amadeus Mozart
Symphony No. 5, Op. 67 ( movement III) — Ludwig van Beethoven
Symphonie fantastique, Op. 14 (movement IV) — Hector Berlioz
Symphony No. 1 in D minor ("Titan") (movement III) — Gustav Mahler
Etude No. 17 (Tempo di Polacca) from 30 Etudes — Franz Simandl
Etude No. 24 ( Maestoso) from 86 Etudes, Book I — Josef Hrabe
Sonata No. 1 in Bb Major for Cello (transcribed for Double Bass) — Antonio Vivaldi
Concerto in G Major (movement I) — Domenico Dragonetti
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