Way Hey - Let's Go!

Written with unchanged, developing tenor voices in mind, “Way Hey-Let’s Go” features a limited vocal range of a sixth and predictable form, and is very appealing to emerging tenor-bass singers. Most of the piece uses a single melody that can be used to develop strong unison singing, making it
a programming must.

Written with unchanged/developing tenor voices in mind, “Way Hey-Let’s Go” features a limited vocal range of a sixth and predictable form, and is very appealing to emerging tenor-bass singers. Most of the piece uses a single melody that can be used to develop strong unison singing, making it
a programming must.

Written with unchanged/developing tenor voices in mind, “Way Hey-Let’s Go” features a limited vocal range of a sixth and predictable form, and is very appealing to emerging tenor-bass singers. Most of the piece uses a single melody that can be used to develop strong unison singing, making it
a programming must.

Written with unchanged/developing tenor voices in mind, “Way Hey-Let’s Go” features a limited vocal range of a sixth and predictable form, and is very appealing to emerging tenor-bass singers. Most of the piece uses a single melody that can be used to develop strong unison singing, making it
a programming must.

Written with unchanged, developing tenor voices in mind, “Way Hey-Let’s Go” features a limited vocal range of a sixth and predictable form, and is very appealing to emerging tenor-bass singers. Most of the piece uses a single melody that can be used to develop strong unison singing, making it
a programming must.