We Sing! We Rise! We Soar!

This original concert work, with text inspired by Arthur O'Shawnessy,  is suitable for the beginning of a concert, a closing piece or could even be used as a "theme" for concerts.  Sprinkled with meter changes and a piano accompaniment that creates an energetic, pulsing feel underneath vocal lines of length and breadth. creating dynamic phrasing that reflect and paint the wonderful text. Also available for Two-Part Treble Voices (BL1296) and SATB Voices (BL1346).

This original concert work, with text inspired by Arthur O'Shawnessy,  is suitable for the beginning of a concert, a closing piece or could even be used as a "theme" for concerts.  Sprinkled with meter changes and a piano accompaniment that creates an energetic, pulsing feel underneath vocal lines of length and breadth. creating dynamic phrasing that reflect and paint the wonderful text. Also available for Two-Part Treble Voices (BL1296) and SATB Voices (BL1346).

This original concert work, with text inspired by Arthur O'Shawnessy,  is suitable for the beginning of a concert, a closing piece or could even be used as a "theme" for concerts.  Sprinkled with meter changes and a piano accompaniment that creates an energetic, pulsing feel underneath vocal lines of length and breadth. creating dynamic phrasing that reflect and paint the wonderful text. Also available for Two-Part Treble Voices (BL1296) and SATB Voices (BL1346).

This original concert work, with text inspired by Arthur O'Shawnessy, is suitable for the beginning of a concert, as a closing piece, or could even be used as a part of a larger theme for concerts. It is sprinkled with meter changes and a piano accompaniment that creates an energetic, pulsing feel underneath vocal lines of length and breadth, creating dynamic phrasing that reflect and paint the wonderful text. Also available for Two-Part Treble Voices (BL1296) and SATB Voices (BL1346).