Haec Dies

Davison's done it again in his Baroque-style, rhythmically charged arrangement, with limited ranges for mixed choirs of developing voices. Essentially, the song has a “high part” and a “low part” making it possible to be performed by any size choir, even choirs with limited basses and tenors. This is the Day! 

Davison's done it again in his Baroque-style, rhythmically charged arrangement, with limited ranges for mixed choirs of developing voices. Essentially, the song has a “high part” and a “low part” making it possible to be performed by any size choir, even choirs with limited basses and tenors. This is the Day! 

Davison's done it again in his Baroque-style, rhythmically charged arrangement, with limited ranges for mixed choirs of developing voices. Essentially, the song has a “high part” and a “low part” making it possible to be performed by any size choir, even choirs with limited basses and tenors. This is the Day! 

Davison has done it again in his Baroque-style, rhythmically charged arrangement with limited ranges for mixed choirs of developing voices. This song has a “high part” and a “low part” making it possible to be performed by any size choir, even those with limited numbers of basses and tenors. This is the Day!