There Is a Balm in Gilead

From the opening solo and duet passage to the a cappella three-part refrain, Lee Kesselman uses many textures in his transparent arrangement of this beloved African-American spiritual. Sure to touch the heart, inspire, give hope, and challenge, There is a Balm in Gilead is perfect for concerts and festivals.

From the opening solo and duet passage to the a cappella three-part refrain, Lee Kesselman uses many textures in his transparent arrangement of this beloved African-American spiritual. Sure to touch the heart, inspire, give hope, and challenge, There is a Balm in Gilead is perfect for concerts and festivals.

From the opening solo and duet passage to the a cappella three-part refrain, Lee Kesselman uses many textures in his transparent arrangement of this beloved African-American spiritual. Sure to touch the heart, inspire, give hope, and challenge, There is a Balm in Gilead is perfect for concerts and festivals.

From the opening solo and duet passage to the a cappella three-part refrain, Lee Kesselman uses many textures in his transparent arrangement of this beloved African-American spiritual. Sure to touch the heart, inspire, give hope, and challenge, There is a Balm in Gilead is perfect for concerts and festivals.